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Les visites commentées

Culture

Have you noticed the sculptural “Grande danseuse” stretching its curves like a figurehead at the entrance to the John Taylor real estate agency on avenue Saint-Basile?

This emblematic 3-metre-high work by Marion Bürklé marks the culmination of an original artistic collaboration between the artist, who has set up shop in the heart of the village with her gallery, and Vanessa Grenes, the agency’s director, who has been putting her real estate expertise to work in Mougins for the past twenty years.

We didn’t know each other personally, but I already admired Marion’s work, which I’d discovered in the village, at Mas Candille and at many of our customers’ properties,” confides Vanessa. In our agency, where we’ve kept a ‘home’ spirit, we regularly exhibit works, aware that art and the home are two closely related themes. It’s also very inspiring for the twelve members of our team. So I thought of Marion. I got in touch with her on Instagram, we met, and the connection was immediate!”

The result: an exhibition of eleven works scattered around the entrance and premises of John Taylor Mougins. All in different formats, but always embodying the liberated, energetic and inspiring woman so dear to Marion Bürkle.

Closely linked worlds

Feminine, uncluttered forms spring to life under her fingers, at home in her studio. Her works are then molded and brought to life in bronze, in a foundry in Pietrasanta – a Tuscan town that is Mougins’ partner – or in epoxy-carbon, to play with color.

In addition to various exhibitions around the world, Marion’s gallery in Mougins is the perfect place to showcase her work. “I fell in love with this village at first sight. I always said: if one day I have a gallery, it will be in Mougins. And that’s what I did, 20 years ago! For a long time, I was based at the Four à Pain before moving to my current address at 21 rue des Lombards. I love meeting people, forging links with clients who buy works from me for their homes, hotels… I’m in great demand, but I immediately agreed to Vanessa’s proposal for this exhibition. I think our worlds are a perfect match!

Don’t hesitate to come and see John Taylor’s work.

Know more :

John Taylor Mougins

426 Av. Saint-Basile, 06250 Mougins

04 92 98 17 15

 

Marion Bürkle Gallery

21 Rue des Lombards, 06250 Mougins

Telephone: 06 82 81 67 91

The European Heritage Days are back on Saturday September 20 and Sunday September 21, 2025. A great opportunity to discover the cultural and heritage riches of our destination.

Storytelling and guided tours, exhibitions, concerts, performances….

Click below to discover the program:

 

Don’t forget the FAMM museum program, including a guided tour in collaboration with the Bonnard museum:

To find out more : click on the image

Throughout the year, Mougins Tourist Office offers guided tours in French and English of the old village and its medieval streets.
But what if the tours aren’t available when you come, or you simply prefer to go at your own pace? Don’t panic, the office is now offering two free audioguides accessible directly via your smartphone!
Choose from two themed tours, in French and English:
► “Mougins and its secrets”: Dive into the history and charm of Mougins through its cultural, heritage and gastronomic riches. Between picturesque alleyways, local anecdotes and fragments of the past, this tour reveals the secrets of the village. ► Go to HERE
► “Mougins and the Master”: This tour combines the discovery of the village with its special bond with Pablo Picasso. It explores not only the village’s treasures and history, but also the painter’s deep attachment to Mougins, where he lived for the last twelve years of his life. ► Access it HERE

Nice visit!

Natacha Caruana is no longer an unknown in France. Winner of the BMW Artist in Residence Award in 2014, she has nevertheless not gotten the exposure that she deserves. For fifteen years, the British artist has been fictionally creating scenarios that recount personal relationships, the complexity of positions in a heterosexual couple. With typically British wit, Caruana structures photographic encounters using documentation and staging.

  1. From the first series, The Other Woman, we are confronted with the secret lives of married women in extra-conjugal romantic relationships. This series introduced an original tone that subsequently developed with Married Man – less an interrogation of the couple than of the ongoing miracle of how it lasts, its fragility and vulnerability to temptation. All of the series hold something of a perfect ill
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  3. ustration of the power of desire, its tiny daily perversions and untold secrets – all of which constitutes the work’s originality, never passing judgement but confronting us with the complexity of the couple as an institution. While the theme may be stinging at times (Curtain of Broken Dreams), the illusion that anything is possible still lingers in spite of everything (At First Sight).

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